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Shop High Fire Clay at GlazeQueen and compare clay options for pottery, ceramics and studio work. When selecting a body, consider firing range, color, texture, plasticity, absorption and the forming method you plan to use. Check the manufacturer’s technical information for the specific clay body and recommended firing range.


Products 49-54 of 54
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Soldate-60
Availability: In Stock
Laguna Item #: WC-843 -

    This clay is the same formula as Soldate-30, but contains finer 60 mesh sand. The texture is medium coarse.

    Sonora White
    Availability: In Stock
    Aardvark Item #: AA-SENO -

      Smooth, off white clay. Excellent for functional ware.

      Stoneware #5
      Availability: In Stock
      IMCO Item #: IM-5 -

        Stoneware #5 fires to a medium buff in oxidation and a toasted tan in reduction. Stoneware #5 contains a fine silica sand formulated to produce an especially good wheel clay and rugged vitreous stoneware pottery. Recommended for dinnerware. A favorite of many professional studio potters.

        Windsor
        Availability: In Stock
        Laguna Item #: WC-879 -

          A grolleg kaolin formulated Cone 10 porcelain excellent for large or small forms. Translucent when construction is thin and fired to Cone 10. The color is white in oxidation and off-white in reduction.

          WSO
          Availability: In Stock
          Laguna Item #: WC-389 -

            An interesting light gray body with fine sand. A Cone 10 (and higher) clay which fires off-white in oxidation and gray/white in reduction. Also good for Raku at low temperature. Care should be taken at high fire use in functional ware. Slightly open body even at Cone 10.

            Clay Bag Ties Green  (2) Reusable
            Availability: In Stock
            Xiem Item #: X10076 -

              For high fire clay, the best choice depends on how you plan to form, dry, fire and finish your work. Compare the manufacturer's firing range and technical specifications, then test the body with your intended glaze or surface treatment before a larger project. Factors such as clay body, wall thickness, drying conditions and firing schedule can all affect the finished result.